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exerpt from The Eye Weekly--reviewed by Joanne Huffa |
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"Your life, only not." This is the basis of recently founded Fishbowl Theatre's mandate. It is also a suitable
description of Wendy MacLeod's dark comedy, The House of Yes, a witty look at the life of a very unusual family. The story begins when eldest son Marty (Kevin Robinson) brings his fiancée, Lesly (Melissa Allen), home to meet
his family. But this isn't the simple task it should be, because Marty's family includes his unbalanced twin sister, with whom he has an incestuous relationship, and a mother whose philosophy of life includes the belief that
"You raise cattle -- children just happen." The House of Yes
is a deceptively difficult play. Marty's twin, Jackie-O, is a medicated mess, obsessed with her brother and the Kennedy assassination. Chloë Whitehorn plays her with enough neurosis so that we see things are not "normal" from the outset, but without turning her into a raving lunatic. Jackie-O is a great character, and Whitehorn embraces the role. The same can be said for Tabitha Keast's portrayal of the mother who encourages her children's relationship and treats her youngest son, Anthony (Shawn Reynolds), like a hired hand. Keast has the look of an undernourished socialite, and plays the matriarch with a suitably detached coolness.
The Fringe Harold, Friday July 14, 2000
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